“Each succeeding year gives evidence of the dying out of the display which formerly characterized the celebration of the anniversary of St. Patrick. Not only in Hamilton, but all over America, the day is now celebrated like a religious than a national holiday. In Hamilton, the flags, bands and banners which have attended the celebration have entirely disappeared.”
“Ireland’s Patron Saint : A Quiet Celebration of the Anniversary in Hamilton”1
Hamilton Spectator. March 17, 1883
Early in the morning of St. Patrick’s day, 1883, members of the Emerald Beneficial association, Sarsfield Branch No. 1, of Hamilton, gathered at their hall on James street and marched in procession to St. Patrick’s church to attend high mass.
Upon returning to the hall, prominent members of the Emerald Association addressed their fellow members. In his speech, Mr. James Henigan, president of the association, talked of the conversion of Ireland to Christianity by St. Patrick. He also referred to the old-time displays on St. Patrick’s day, which had thankfully been done away with, to the benefit of the proper observance of the day.
Mr. George Nelson echoed the president’s thoughts:
“He was opposed to parading in the streets on St. Patrick’s day as it created an ill-feeling and did no good to those who took part in it.”1
Later in the day, the Emerald Beneficial association sponsored a concert and lecture at the Academy of Music. The musical portion of the evening was opened by a selection of Irish airs played by the 13th band. Also featured was Miss. M. E. Graham who sang “Take Me Home, Jaime Dear” and “O Bay of Dublin.”
Following the concert , Hamilton alderman Cornelius Donovan came on the stage to introduce the featured speaker of the evening. In his introduction, the aldermen boldly stated that he was pleased to be an honorary member of the Emerald Beneficial association :
“That
they aimed at religious improvement was evident from the fact of their
assiduous attention to the duties of the Church, and to intellectual
improvement as they had already laid the foundation of a first-class library
and a reading room in connection therewith.” 2
2 “Ireland’s Patron Saint : Concert and Lecture” Hamilton
Spectator. March 19, 1883.
A
lecture was then delivered by Mr. Edward Furlong on St. Patrick and his Sons.
On
Saturday, March 17, 1883, the Salvation Army held its weekly knee drill and
exhortation in front of the city hall, provoking the usual reaction:
“They
were surrounded and following by a howling mob, and the words and air of the
hymns were indistinguishable in the din that was raised by the camp followers.”3
3 “Death and Glory Boys : Fierce Battles With the Enemy in
This City” Hamilton Spectator. March 19, 1883.
The
success of the Salvation Army since its arrival in Hamilton had been mixed.
Captain Wm. Freer, “the Hallelujah Sledgehammer,” in his weekly letter to the
Army’s newsletter wrote :
“Engagement
after engagement with the enemy has taken place in this station; he has been
fighting hard here.. We have a live, subtle and deceitful devil in Hamilton. I
do hate the devil with a more and more perfect hatred, especially the
underneath, subtle devil. There has been too much of that slip-shod soft, weak,
ungodly teaching in this city, which has resulted in rocking this fighting in
the arm of the wicked one.”1
Captain
Freer was transferred to St. Thomas and on March 18, 1883, his replacement,
Captain Mary Pilgrim was presented to the Hamilton troops for the first time as
captain at a public meeting of the Army held at the Academy of Music:
“The
recruits told their stories, and exhorted others to be saved, as they were. In
the back seats, young men were flirting with young girls. Boys were reading
dime novels of the “Daring Detective and Steel Eye the Scout” style and
spitting tobacco on the floor. Salvation soldiers patrolling the aisles managed
to keep pretty good order. There was considerable excitement and a brisk trade
was done in selling songbooks and the War Cry.”3
On
March 22, 1883, an article appeared in the Spectator describing the
preparations that had been made by the Hamilton Choral Society for the
performance of the oratorio, The Messiah, at Centenary Church:
“The
chorus numbers two hundred, and with the band of over forty performers and the
large organ of the Centenary church, the choral work should be grandly done.” 4
4 “Music and Drama : The Messiah” Hamilton Spectator. March
22, 1883.
In
connection with the upcoming performance of the Hamilton Choral Society, a
writer for the Spectator described how the society came to be organized :
“At
first, the idea was simply to organize a chorus and perform the Messiah, and
then if all was well to organize a choral society. The chorus came together
late in January in Wesley church school room, and a provisional committee was
appointed and rehearsals went on. It soon became evident that now was the time
to organize the society. A meeting of business and men was thereupon called, and resulted in the
establishment of the Hamilton Choral Society, with a business committee
composed of some of the leading professional men of Hamilton. Rehearsals were
carried on regularly, the services of many of the best amateurs and
professional players of the city being enlisted for the good of the cause.”4
In
criticizing the performance of the Messiah on Good Friday, 1883 at the
Centenary church, the Spectator was reluctant to be too hard on the performers
as the chorus and orchestra were newly organized :
“Taken
as a whole the performance was creditable to all concerned, and promises well
for the future success of the society. We sincerely hope that from this good
beginning our choral society will work on and up until they reach the standard
that they should reach, and have shown themselves capable of reaching by the
excellence of the work they have done already in proportion to the time they
have been in preparation. Unduly flattering and promiscuous praise will do them
more harm than good.”5
5 “The Messiah : Hamilton Choral Society” Hamilton
Spectator. March 24, 1883.
Tuesday
evening, March 27, 1883 at the Grand Opera House was the time set for an
athletic exhibition on the stage usually for used by dramatic or musical
players, rather than athletes. The exhibition was held under the combined
patronage of the Nautilus and Leander rowing clubs, plus the Hamilton Football
and Cricket clubs:
“But
although the patronage of such splendid organizations as these was a good deal
in favor of the entertainment, it was the hard work of Chief Stewart and the
other members of the Hamilton police force and the laudable object that made
the finest affair of the kind that ever took place a brilliant success.”6
6 “Assault at Arms : A Large Audience, a Successful Show
and Worthy Object” Hamilton Spectator. March 28, 1883.
After
the opening overture performed by the Thirteenth band, Chief Stewart appeared
on stage and was greeted with great applause:
“He
said that he felt immensely gratified at meeting so large and fashionable an
audience. Hitherto these entertainments have been in bad hands, and many who
would have liked to be present at them remained away because the managers of
them did not care for anything but that the curtain should ring down on a
well-filled treasury. The performances hitherto had been simply hippodromes. He
wanted it distinctly understood that this entertainment was not a hippodrome.” 6
The
program began with an exhibition by five members of the Queen’s Own Rifle
gymnastic team.
The
most notable feature of program was the tug-of-war between four Hamilton
policemen and four of their brother officers from Toronto:
“The
teams grasped their respective ends of the cable and planted their rubbered
feet on the resined floor. The struggle was short, but exciting, and in the
space of five seconds, the Hamilton men were pulled over the mark. A tremendous
cheer followed and the curtain went down.
“But
the audience was not satisfied with one trial, and the curtain rolled up
discovering the teams in position, each on the end of the line opposite the one
previously taken. Another pull, and again the Hamilton men went over the line.6
Sergeant-Major
Morgans of the Kingston Military College performed a series of feats of
swordsmanship including the following:
“Cutting
an unresisting sheet of paper, cutting a heavy bar of lead standing on end on a
stool, cutting ribbons and handkerchiefs by laying them across the sword and
dexterously swinging the weapon, cutting potatoes placed on the head and back
of Chief Stewart without injury.”6
Chief
Stewart also boxed a few rounds with a professional fighter by the name of
Progg. As recorded by the Spectator man in attendance, the chief got in “some good
taps, while dexterously defending himself.”6
There
was also a fencing contest between Professor McGregor and Chief Stewart :
“The
Professor succeeded in scoring more hits than the chief but the latter showed
himself an adept with the foil.”6
The
entertainment was a financial success, according to the Spectator:
“The
police library is a very worthy object for the large proceeds.”6,
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